ACCESS lets you track anonymous individuals in public places, by pursuing them with a robotic spotlight and acoustic beam system.
ACCESS presents control tools generated by surveillance technology combined with the advertising and Hollywood industries, and the internet. It refers to political propoganda and media manipluation.
Beware. Some individuals may not like being monitored.
Beware. Some individuals may love the attention.
the ACCESS spotlight system is on tour and travels internationally from one public space to another. For updated information, please see the Events list on its website.
scary-fun / obsession-fascination / control-resistance: it is impossible to determine who is actually in control.
|Description and Concept||ACCESS is a public art installation that applies web, computer, sound and lighting technologies in which web users track individuals in public spaces with a unique robotic spotlight and acoustic beam system. The robotic spotlight automatically follows the tracked individuals while the acoustic beam projects audio that only they can hear. The tracked individuals do not know who is tracking them or why they are being tracked, nor are they aware of being the only persons among the public hearing the sound. The web users do not know that their actions trigger sound towards the target. In effect, both the tracker and the tracked are in a paradoxical communication loop. The ACCESS spotlight system travels from one undisclosed public space to another. The exact location of the public space is revealed only after ACCESS moves to its next location. The ACCESS website, which contains the webcam view and spotlight control, keeps an updated list of the locations visited as well as a video archive.
The content of ACCESS calls for awareness of the implications of surveillance, detection, celebrity, and their impact on society. The structure of ACCESS is intentionally ambiguous, revealing the obsession/fascination for control, visibility, and vigilance: scary or fun. ACCESS was primarily influenced by the beauty of the surveillance representations (x-rayed bodies, luggage or vehicles, 3D laser scans, satellite reconnaissance imagery, etc.), the invisibility of the collected data, and the power generated by means of surveillance practices.
Check it out more information on its website here! ..
and….the artist’s website >> http://www.sester.net/index.html